Some emotions are too intense to be painted with delicacy. COLLISION was born from that idea. I did not want to approach the canvas cautiously or try to control every gesture. I wanted the movement itself to become part of the work, with the body acting before the mind had time to correct it.

I created it through force, rhythm and impact, using kicks and movements inspired by martial arts. Each contact with the canvas left behind more than color. It left energy, tension, release. Every trace preserves the echo of a movement that existed only for a second, but remained permanently inside the work.

That is where the title COLLISION came from. A collision can be violent, sudden, unexpected, but it can also create something new. Two forces meet, something changes, and neither remains exactly as it was before. For me, this painting lives in that precise instant, between control and surrender, strength and vulnerability, instinct and consequence.

In that moment, I needed to release everything I was carrying. Stress, tension, accumulated energy. I was completely charged, almost unable to stay still. So I let my body speak, turning that pressure into movement, force and color. COLLISION was born from that need too: to release, break the rhythm, and finally give all that energy a way out.